Disclaimer: The views and opinions expressed here are those of the author and do not necessarily reflect the official policy or position of Legit.ng.
Your own opinion articles are welcome at firstname.lastname@example.org— drop an email telling us what you want to write about and why. More details in Legit.ng’s step-by-step guide for guest contributors.
Contact us if you have any feedback, suggestions, complaints or compliments. We are also available on Twitter.
Editor's note: Best Agbese, a PhD student at the University of Dundee writes on the fight against terrorism by the Nigerian Army in the northeast region of the country.
Agbese, as a poet says he thinks terrorists are effeminate warriors who are barren of valour to face real gallant men like Nigerian troops on the battlefield.
The COAS, Lt. Gen. TY Buratai is a bundle of talents. A famed soldier, he is also a consummate and prolific poet. General Buratai selects his poetic themes carefully and dwells on very touchy contemporary issues. He infuses into his poetry very powerful emotions while crafting his thoughts.
In a poetic piece titled; "Are You A Terrorist?," General Buratai examined the wretched and rustic life of a terrorist. He identifies actions or concealed inactions of seeming onlookers which bear trademarks of terrorism.
In the opening stanza, the poet begins with a series of rhetorical questions. He presents and compares two general lifestyles at the disposal of the terrorist.
One portrays the beauty of an alluring life, in a normal world, a terrorist denies himself. He contrasts it with the ignoble beast-like and lonely life he imposes on himself by living with chirruping birds and dangerous reptiles in forests, caves and mountains, perpetually dreading his shadows.
He writes; "Living in the jungle or in the city? The city in everyday life embodies all the niceties and comfort life can offer. In this realm of normality, there are limitless opportunities for comfort and prosperous life for the individual."
And the next line again asks the terrorists whether he prefers a squalid life, "In the market place or in the park? Roaming the city streets or the bush paths?"
While the poet portrays two worlds, the stanza intimates that the terrorist foist on himself, life of squalor and misery, even when he kisses the city gates. He is tout for choosing the life of blood and destructions and so, denies himself of the goodies of existence.
The poet proceeds to mock the terrorist's imposition of deprivations on himself. He writes; "Breaking terror news from a reporter;" because a terrorist is the harbinger of bad news; he pleasures in propagating gory pictures of victims of his sadism.
The poet sermonizes that a terrorist is very scared to break his own news freely like other normal human beings. This in itself alludes to his mental derangement.
It is explicable because he is cursed by a cruel fate. That terrorists also deprive themselves of the pleasures life offers by satanic wickedness is alluded in this verse; "Or breaking hearts in the worship places?" Even in sacred places, they exhibit their satanism.
And in the third stanza, the poet parodies the convictions of the terrorist, as he says; "Are you a terrorist?"
He continues by challenging the guts and might of a terrorist who swims in false illusion about the defeat of humanity by atrocious acts. He says a terrorist is an imbecile and feeble-minded, "Who believes all others not of him are lost? Or he who believes those who fight."
And the poet submits reassuringly that a terrorist erroneously believes troops who battle them in trenches,
"In defence of citizens have no faith? A cause and a patriotic faith they have." Now, the poet goes into outright deriding of terrorists, who in the mindset of the poet are paperweight in the battles they start.
In the next stanza, the poet comes out more forcefully against terrorist misconceptions and ideological bent. Permanently relying on the style of repetition, he again asks; "Are you a terrorist?," The poet thinks, terrorists are effeminate warriors who are barren of valour to face real gallant men like Nigerian troops on the battlefield.
Rather, they sneak in the dead of the night to unleash violence on helpless women, children and their aged parents, only to lay false claims to bravery. But they are nothing other than cowards who scamper at the sight of battle with troops too many times.
The poet explains further that the terrorist is a cursed fighter, "Who sees only one course to his ascendancy/Or who provides many reasons to blame/Those patriots that daily sacrifice for the nation?"
Having drenched the soul of the terrorists in acerbic tirades and invectives, he migrates to innuendo allusion to sympathizers and agents of terrorists. Searching their ungodly souls, the poet descends heavily on the dead consciences of these set of other children of Adam and Eve obviously under a curse.
He asks, "Are you a terrorist?
Who remains mute when the enemy strikes/ The innocent but blames the patriotic/Forces without offering any civic hand?"
The poet campaigner is saying it is absolutely nonsensical to blame troops when Boko Haram accomplices either cleverly encourage terrorism by reneging to enlist in the fight or project a perforated sense of patriotism.
There is a lengthy scolding of disparate categories of veiled shadowy existence of terrorists in many subsisting sub-sets who pose as saints. While the poet tries as much as possible not to offend their sensibilities, he repeats the same question; "Are you a terrorist?"
And he provides answers, an indication from the answers that terrorists sympathisers function in a wild range, which include those "Who supports the enemy's propaganda Or who attacks the patriots' genuine psychological operations/Or who condemns policies toward solutions?"
Perusing the poet's mind, it connotes that a terrorist includes that politician who kicks against government policies designed to end terrorism or the cronies he recruits for this purpose. They include the formal and informal pen pushers who regales in hyping or celebrating terrorist publicity stunts. They are all guilty of cyberspace terrorism, the poet mutters mildly.
And the next stanza explains it more pungently and heartily. In the last phase of the repetition, "Are You A Terrorist?" the poet punctures this issue which obsesses his mind all day and every minute, as he crafts the poem.
PAY ATTENTION: Download our mobile app to enjoy the latest news update
The overriding preoccupation of the poet is to examine the operative nuances of terrorists and terrorism. Through a unique poetic style of repetition, impressive use of the stream of consciousness and mastery of diction, he finely conveys a contemporary message on terrorism which touches every heart penetratively.
The poet fruitfully counsels all not only to resent terrorists and abhor terrorism but always be a patriot and never a terrorist.
NAIJ.com (naija.ng) -> Legit.ng: Same great journalism, upgraded for better service!
Buhari should put an end to banditry, unrest in Zamfara - Nigerians cry | Legit TV